Secrets on reporting and storytelling from some of the best in the business.
How does Susan Orlean find her profile subjects? How does Malcolm Gladwell get his sources to speak with him? How does Sarah Stillman bring the characters in her stories to life? Thanks to the Longform podcast, we listened in on conversations with writers for The New Yorker as they spilled their secrets for outstanding reporting and storytelling.
Elizabeth Wurtzel
"It's really hard to be a writer. You have to be born with incredible amounts of talent. Then you have to work hard. Then you have to be able to handle tons of rejection and not mind it and just keep pushing away at it. You have to show up at people's doors. You can't just email and text message people. You have to bang their doors down. You have to be interesting. You have to be fucking phenomenal to get a book published and then sell the book. When people think their writing career is not working out, it's not working out because it's so damn hard. It's not harder now than it was 20 years ago. It's just as hard. It was always hard."
